14 Second Dentine Firing

The second dentine firing allows for the precise finalization of the effects of morphology and colors. Renato designs the neck area more chromatic with a one-to-one mixture of BASE DENTINE A3 and light orange EFFECT CHROMA 5. He adds a balanced mix of BASE DENTINE A2 and NEUTRAL for the structure of the bulge area.
He also uses NEUTRAL for the incisal area to reduce the translucency with the slightly opaque ceramic. He applies a light blocker palatinally of whitish INTERNO 01 for the same reason and covers it with chromatic EFFECT CHROMA 2 (sand-beige).